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I remember the first time I remembered a smell. This was remembering to the extent that it stopped me in my tracks, taking me back to a specific moment, a specific place and a specific feeling. The smell was that of a bike shop. Mainly rubber, with notes of oil and plastic and a strong hint of sheer excitement. In that instant I was about 10 years old, in Bache Brothers Cycles at Lye Cross, near Stourbridge, in the West Midlands. My grandad was next to me, with the shop man. I was getting a bike for my birthday.
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A bundle of kanten, from the Encylopedia of Food (1923).
这种“舒服”正是港式叙事的老手艺：用笑声把观众带进现实，用现实把笑声染上一点苦味。《夜王》的含笑量充足，但笑点细细品味不算轻快，它们往往伴随着停顿与迟疑，让观众在笑过之后突然意识到：支撑笑声的东西正在消失。它把夜总会从“道德争议”里抽离出来，放回经济与城市结构的变动中，告诉观众“消失”不是戏剧冲突的需要，而是时代逻辑的必然。